sarah dickenson snyder
Tell the Truth
Lucy Brock-Broido says to herself. And me.
I collect rocks because I am greedy and want
a little piece of everywhere I go. I like smoothness,
coolness, the way stones are contained alone
or stacked with others. I am still thinking
about beauty. Losing it. Witnessing it. Crying
because of it. Did angels really save me
when I was choking on a highway by myself
after midnight? Two abortions propelled me
to this moment. I have two children
I cannot imagine not on this planet.
I keep digging for regret, trying to repair
before I go. Of the trillions of lives
I could have had. It’s this one.
Bone on bone. The glide through water
on a narrow boat, knees bent, then pushing back,
one eagle sailing above.
sarah dickenson snyder
After years in the classroom, Sarah Dickenson Snyder now carves in stone, sculls on the Connecticut River, and rides her bike. Travel opens her eyes. She has five poetry collections: The Human Contract (2017), Notes from a Nomad (nominated for the Massachusetts Book Awards 2018), With a Polaroid Camera (2019), Now These Three Remain (nominated for the Massachusetts Book Awards 2023), and To Eve (Nixes Mate Review 2026). Several poems have been nominated for Best of Net and Pushcart Prizes. Work is in Rattle, Verse Daily, and RHINO. sarahdickensonsnyder.com