PRESS II PRESS
WORDS AND ART FOR THE FUTURE
no social media. word of mouth only. like fight club? yeah, but for art.
vestige has dropped
Winner of the 2025 Beautiful Pause Prize.
Poems by Olivia Pierce Graham.
volume 12 is here!
The Beautiful Pause Prize 2026 is closed for submissions! reading now!
featured from the family room
The Cauldron
by Sohana Manzoor
In the days after she left, the sea appeared colorless and cold to me. I had little interest in diving the shipwrecks. Mila sulked around, but I was too miserable to notice her.
by Vincent Santino Smarra
My mouth is around the apple, sickly sweet juice from the already exposed bit mixing with spit that keeps coming. I chew.
the reading corner
Read more book reviews, book recommendations, etc in The Reading Corner of The Family Room
press play
by Travis Flatt
“My, bad,” you say, and lean down to fish out the briefcase. Your actual line is: “We’re happy.”
by Cooper Green
It felt like we had a map, a route we discussed over and over, a clear view of how to extricate ourselves. And yet, we somehow kept ending up at the same dead end, wrapped around each other and for those brief, sweet moments, so immeasurably happy.
by Karen Greenbaum-Maya
Conventional sparks flying but nothing catches fire. Perfunctory, they slap the audience around.
by Tanya Visceglia
For a conflict-averse society, Taiwan certainly loves to roll around in high drama, both in art and life. Even a restaurant meal with friends is ripe with dramatic potential. We fight for the privilege of treating our companions, during which the bill is yanked back and forth with cries of protest: “No, you paid last time.” “You can pay next time!” The winner of the bill-grab then races to the cash register, slapping money onto the counter. The winner of the bill-grab then races to the cash register, slapping money onto the counter… This is a friendly game everyone understands.
Read more from Press Play in The Family Room
the great pause
by Francesca Spiegel
That’s all these windows will ever know, flat as a tradwife Instagram account that only knows spatulas, cookie dough and frilly apron; flat as the shoe of a waitress.
by Bonnie Day
If I felt like going at full speed, I would pedal as fast as I could until my breath came in fits and a stitch crackled in my side. Or I could pedal so slowly that a little old lady could pass me by. Or I could stop, once, twice, even three times. Sip water and stare into the field. Alone was good. It was what I wanted. And so, we both biked alone.
by Linda Griffin
I lived with strangers. Some of them were related to me. Some were not. I don’t know if any of them loved me. They never said.
by Victoria Krammen Butler
She could still sense whispers of the weeks, months and years she’d experienced in stories before, but she never longed for them. That was another rule: she should remain in the present. The fragments were enough to know she existed, and that in itself was all she needed. She liked it that way. Though, again, she wasn’t sure if there even were other ways.
by HB Collins
Let tranquil weeping fall on the ears of your ghosts
and the palms of your demons, who wait just as eagerly
as you to your phone, where you pray to a god
you don’t believe in, for just one text.
by Stetson Ray
It’s like being married to a doctor I suppose. People need him. He has an important job to do. I’m just some woman. Our son is just some baby.
Read more from The Great Pause in The Family Room
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A collaboration like no other, from The Hooghly Review in India and a former Press Pause contributor.
In the height of 2025, former contributor Francois Bereaud asked us to help him get this beautiful book into the physical world. And finally, we did.
Already in bookstores in San Diego, Murals is a collection of writing and murals from around the world, curated by Francois and loved by the many contributors in its pages.
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Do you have a book you want help bringing (lovingly) into the physical world? Reach out to info@presspausepress.org and ask about our Bookshepherding program.
Winner of the 2025 Beautiful Pause Prize (for poetry)
This book reveres the unraveling and regeneration of one poet’s resilience and hard-earned identity through the lens of feminine experience and mental illness.
Each poem endures the same affliction: a speaker whose reality is in a constant cycle of
becoming
and
unbecoming.
This is Claire’s last summer. Pushing past her regrets and grief, she decides to travel to Italy to paint, to revel in the sun and wine and sea and colors before she ends her own life, on her own terms. A Handful of Earth follows terminally ill Claire as she reunites with a lover, reconnects with an old friend, and falls back in love with Italy, all while coming to terms with the relationship between body and environment and the damage that has been inflicted upon her by the same earth she loves so deeply. A Handful of Earth is a lyrical novel and eco-lament whose bright and rhythmic sweeping prose feels like sand slipping through your fingers, leaving you ready to start all over again.
With an introduction by author Jesse Curran and illustrations by Nina Martinez.
A beauty like no other.
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Tomorrow I’ll wake to a new world, to the old world. Tomorrow, if I’m lucky, I’ll wake. But not everyday. Soon I’ll do what I’ve come to do. It’s calling me.
To kill: to deprive of life in any manner, to destroy, to do away with, to extinguish. To overcome completely or with irresistible effect.
Wine, sunlight, song. Irresistible effect.
It’s calling me.
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Fiction by…
Ali Pensky
Anne Baldo
Jonathan Berzer
Shane Combs
Zachary Holmes Spence
Zimuzo K. Okeke
Suchitra Sukumar
Kendall Teare
Karen Uhlmann
Sona Verdi
Poetry by…
Lauren Arienzale
Shannon Cates
Christopher Cokinos
Émilie Galindo
Vivian Kao
James King
Kale Hensley
Cassund Olivier
Kate Polak
Sarah Dickenson Snyder
Will Sharp
Nonfiction by…
Ronnie Ashline
Chris Bailey
Violet Piper
Kaylie Saidin
Art by…
Charles deVries
KJ Hannah Greenberg
Lee Johnson
Tim Lane
Nuala McEvoy
Michael Noonan
Paul Rabinowitz
Music by…
Joe Sikelianos & Kat White